Outdoors at night
The aim of this exercise is to explore a variety of lighting effects and colours in artificial light.
The exercise instructions ask that we take a range of photographs outdoors at nighttime in a busy location with plenty of brightly lit building and streets. Use a tripod and cable release as appropriate. Try to include the following in your shooting the following:
- A floodlit building (look for a viewpoint where the lights themselves are hidden)
- A brightly lit store front
- A large interior with many people
- A raised view looking along a busy road to catch the headlights and tail lights of the traffic as streaks.
A floodlit building
This is a photograph of The Address Hotel, Dubai Marina around one hour after sunset. I composed the photo so that the building is centrally positioned and the tilted view creates diagonal lines to lead the eye upwards. Using a tripod, a shutter-release cable and with the camera in bulb mode I took a few test shots. At f/8 and a two second exposure time the image was seriously under-exposed and the background sky was pitch black. I increased the ISO slightly to ISO 320 and experimented with longer shutter speeds via Bulb Mode, eventually taking the shot at 5-seconds. I experimented with various WB settings in-camera before deciding that tungsten worked best for the scene as it added some blue, which worked well for the sky.
I was quite excited to note that the 5-second exposure time managed to capture some stars in the sky. However, it has also rendered the screen that was showing adverts, on the bottom right, totally white.
A brightly lit store front
The exterior of this café/restaurant caught my eye because of the brightly lit signage and the red/green complementary colour scheme. It was also one of the few on that stretch of road that didn’t have condensation on the windows because of the difference in temperature between indoor (cool AC) and outdoors (34c).
I experimented with several compositions but decided that it worked better with the shop front filling the frame. I again used f/16 and ISO 320, with an exposure time of 3-seconds via Bulb Mode. This has captured the exterior of the restaurant quite clearly but caused the movement of the restaurant staff to be blurred that adds to the idea of hustle and bustle.
The restaurant was in a busy area of town with lots of other bright lights nearby many of which can be seen reflected in the shop front, such as the fairy-lit palm trees. I can’t quite decide if I like this effect or not. Are the reflected lights distracting, or do they add to the idea of ‘busyness’ and energy? I think perhaps they would have worked okay across the top of the glass if the bottom of the glass were not already decorated with the shop logo. Both are probably too much. It also makes me wonder if a polarising filter on my lens would have helped at all?
A large interior with many people
I chose a view of the interior of Marina Mall, Dubai for this image. The course notes advised that we did not use a tripod for this shot which provided quite a challenge. While the mall seemed bright enough with all the bright lights, the camera required a 1-second shutter speed at f/16 and ISO 100 making it impossible to get a sharp shot. I raised the ISO to 200 and then again to 320 and took this shot at ¼s exposure time, while bracing the camera against a ledge to steady it.
There is a little bit of motion blur from the people moving around the mall which I like, however the overall image seems a little ‘noisy’, particularly when you zoom in. Tungsten WB seemed the best fit for this scene as the others created very strong colour casts.
Traffic light trails
The exercise instructions suggested an elevated view over a road, such as a pedestrian overpass, for this task. There are numerous pedestrian bridges, which cross Dubai’s busy roads making the Metro system accessible, however they are enclosed to make them air-conditioned and comfortable for commuters.
I decided to explore one of these bridges over Dubai’s Sheikh Zayed Road to see if shooting would work through the window glass. The glass appeared to be tinted and I took a few test shots to see if this impacted upon the image and noted it did add some blue. After considering this, I decided to work with this, as it would perhaps reinforce the idea of twilight/and or evening light.
I experimented with various positions and set-ups before opting for the camera on a tripod, which was set to its lowest height. This was then placed on a ledge with the lens positioned to look along the road, but also avoiding the horizontal bars, which decorated the exterior of the bridge. I placed the lens as close as I could to the glass while allowing for a little bit of focusing room, then attached the shutter release cable. Then I waited for the sunset.
As I was in a busy location I did attract some curious looks and also the attention of a member of Dubai Police, who, once he had established what I was doing, was happy to leave me to take photographs.
Sunsets seem to happen quickly in this part of the world, which makes working with residual light a very short window of time. The sunset was due at 18:16pm and by 18:30pm the daylight was low enough to make the car trails appear very bright, although not low enough for the buildings to be lit, which could have detracted attention from the light trails.
Using bulb mode, f/16 and ISO this photograph was taken with a 4.4s exposure time.
The red and white light streaks on the highway below can be seen clearly while there are some white and red streaks can also be seen on the slightly elevated road on the left side. I was surprised to note that Daylight WB was the best fit for the low light in this shot. I experimented further with the RAW file in post-processing but found, somewhat ironically, that daylight WB made the scene look more like nighttime than the other WB presets.
Thirty minutes later and all the daylight was gone. I took this shot further along the road (you can see the bridge I was standing on earlier on the right hand side of the frame) looking towards the road and the buildings of Jumeirah Lake Towers.
I experimented with a few WB balance options in-camera before deciding that fluorescent WB was a good fit here.
Even with a 7.1-second exposure using Bulb mode the image was under-exposed and I had to up the exposure post-processing considerably. With hindsight I wish I had experimented with even longer exposure times. This could have brightened the entire image as well as erase the glimpse of the car from the bottom right of the frame, leaving only it’s light trail. There is also some lens flare from the street lamp closest to the camera, which perhaps could have been avoided if I had been using a lens hood.
I do like the starburst effect from the other streetlights, which I think are actually more dominant in the frame than the car light trails, and the overall contrasting colour palette of red and blue.
This was a varied and interesting exercise that has reinforced the idea that there is not a magic; one-size fits all set up to meet the range of differently lit scenes that I encountered. Instead, it requires a lot of trial and error while tweaking the exposure settings to capture the shot.
This exercise had also encouraged me to experiment with the Bulb Mode function in my camera that I had not done before. I found it a bit of ‘eureka’ moment when I realised why my attempts at nighttime photography before had not been successful. I experimented a little bit more with Bulb Mode as can be seen below.